Katelyn Tarver You Dont Know Meaning

Photo: Steven Taylor

Chances are you accept already seen Katelyn Tarver earlier. Already a well-established actress from her multiple recurring television appearances, Katelyn's next mission is to conquer is the world of popular. While the transition from television to music may seem overdone at this point, Katelyn's emergence into the music scene rings out as 18-carat and true. Relocating from her hometown of Glennville, Georgia to Los Angeles in pursuit of her dreams, seeing her dreams come into focus, albeit perhaps not in the order she may have imagined, Katelyn's journey is one just commencement.

Nosotros sat downwards with Katelyn Tarver to talk about her EPTired Eyes, the friends and people she's worked with who take inspired her, and everything in between.

OTW:Your EP Tired Eyes is out at present. You recently finished a month-long residency at Resident, v weeks in fact, and you lot packed that place every week. Let'due south talk almost your background–talk nigh transitioning from interim into music and finding your own style of music.

KT: Yeah I mean, it'south funny because a lot of my experience out hither in LA has been acting-focused, and that'due south always been interesting to me considering I've always had the idea in my caput and viewed myself as a singer-songwriter beginning. So it was funny to kind of get the acting stuff off the ground a little bit quicker, because and so most people are similar, "What'southward information technology like beingness an player trying to transition to music?" and in my caput I'thou like, "I've always kind of been a musician kickoff!" – but obviously I'll take it, I don't listen, simply it is definitely a challenge every bit far as trying to smash down that sound. I recollect fifty-fifty if I wasn't doing acting, it would still be hard to kind of find your vocalism. I feel like I'g constantly evolving as a person and as a songwriter. So I think as I've gone from Georgia to moving out here and kind of being on that journey of songwriting and figuring out music, it's all kind of coincided with me growing up into an adult-person as well, which has been cool to kind of hear my music reflect that along the way– dealing with different themes and concepts in my music, so that's been just fun to kind of run across how information technology changes and grows and kind of just be along for the ride, honestly.

OTW: For certain. And along this journey, you kind of made a career out of supporting other artists in the beginning, like writing this number 1 UK unmarried "Crazy Stupid Love" for Cheryl Cole– how did that become a success for y'all, and is it satisfying to finally be releasing your own music now?

KT: Yes, so for the Cheryl Cole vocal, I was going in to write with Wayne Wilkins and Heidi Rowhouse, and I retrieve it was the first fourth dimension we'd ever written together, and I was going in kind of writing for my project initially, I was like, "What most this?" – and we kind of came up with this concept, and as information technology was becoming "Crazy Stupid Love," I was like, "Okay!" –  At some point in a session a song kind of takes on a life of its ain and you just kind of follow information technology to the end and you're like, "Okay, we ended upwards with a cool vocal; I don't know if information technology's right for my projection." And so Wayne the producer was like, "Well, would yous listen if I pitched it?" And I was like, "No, not at all!" And and then and so to take someone really cut it… and and so release information technology equally their commencement single, then to take information technology go number 1, was like, the biggest shock. I was just similar, "Oh! Wow, um, aye!" Information technology was exciting and it was like, really validating likewise, as a songwriter, because I think all artists are riddled with self doubt. It'southward always going to exist rewarding to release stuff as an creative person too, for me. Then that'southward been exciting to become to that indicate.

OTW: Yep! Just now you've transitioned into doing your own music, which must be so exciting. Which producers and writers have taught you the most and who do y'all really enjoy working with?

KT: Oh man. I feel similar I work with such a diverse group of people, and I like to remain open to learning a little chip from everyone, but equally far as collaborations, I've written with a songwriter who goes by JHart, who's a friend of mine. Just insanely talented, and I tell him all the fourth dimension, and I'm only obsessed with his work. I really honey working with him. And I'thou definitely speaking for him on this, merely I remember he would concur, because I experience like nosotros are good collaborators–I feel like we bring out different things in each other, and he tin bring out a lot of good stuff in me, so I always am excited when I get to write with him. I wrote "Weekend Millionaires" with him, and a couple others that aren't on the EP merely that I've written, and that mayhap could come out eventually.

OTW: Was "Weekend Millionaires" your first unmarried you released?

KT: Yeah. So I wrote that with J Hart, and and then Ludwig Goransson produced that, who'due south done all of Childish Gambino's stuff and is a composer and is insanely talented, so I manifestly learned a ton from him… and I merely love the fashion he works. He was e'er doing something amazing, but it wasn't super obvious. Stuff I would never think to exercise with production, so… those take both been really cool unique experiences.

OTW: Awesome. Earlier nosotros dive into the EP, what take you learned from your close musical peers–Bridgit Mendler, Molly Kate Kestner, and Paris Carney who also joined you lot on the residency?

KT: Oh, yes. I mean, Bridgit and Paris are close friends of mine that I've known for years so we chronicle on everything. We'll talk about songwriting, we'll talk about how information technology feels to be pursuing a career in music, how it feels to be a adult female in the manufacture, how information technology feels to have an off-twenty-four hour period or have a twenty-four hour period where you don't feel good enough. Luckily, with whatsoever good friendship, when I'grand down, they'll be on their game, and when they're downwards, I'chiliad on my game, and we tin kind of help each other stick information technology out, because information technology can get overwhelming. So I'm really thankful to have women who support and encourage each other and assist me proceed my head on straight. And, Molly Kate, I actually just met her for the first fourth dimension at the residency. She was then talented and sweet–I loved having her at the residency.

OTW: Cool. Then I "Planez" is your virtually successful vocal on Spotify so far–how'd that come up about?

KT: Yeah, I followed upwardly "Weekend Millionaires" with "Planez," which was a comprehend of Jeremih's "Planez." I don't know, I'g just a big fan of that vocal. I've always loved covering songs from the hip hop genre – I've done that on tour before. I recall it definitely hints at a lot of what my new music sounds like: just a footling more than stripped-down, a lilliputian more raw…

OTW: You can kind of get that vibe on the EP for sure. And the EP is Tired Eyes–what does the championship hateful and is there a theme to the EP?

KT: These songs were kind of all written in that stage of life that I'm still in– probably volition ever be in, to an extent–I don't feel similar there's ever a point you accomplish where things are settled downwardly, y'all've got it all figured out, everything's fine. And so I think when I was just growing and realizing things about the world, and myself, and my friends, and merely kind of observing what was happening around me, like a songwriter does, I was writing most it. And I was starting to kind of notice this trend of only being really inspired by those themes of life, and what it all means, and how nosotros all kind of have that struggle of wondering why we're here, and what nosotros're doing, and what it all means. So it explores those themes in a lot of ways.

So Tired Optics came considering it's actually the title of another song I wrote that's non on the EP, but when I was thinking of titling it, I was similar, that's such an interesting title to me. And I feel like it encapsulates that feeling in a dainty way of just looking around and feeling kind of overwhelmed and tired of what you're seeing, but nonetheless having hope – but merely being a little flake jaded, or a trivial more than cynical.

OTW: Tell me about "You Don't Know" –the video touches a nervus among teens struggling with depression. It came out effectually the same time as 13 Reasons Why, and it immediately got 1.iii million views in the first calendar week. What does information technology mean to you to become that kind of response?

KT: Yeah, the response has been astonishing. That'southward a vocal that I've held onto for a few years; I've only just kind of not been able to let go of it knowing there was something special well-nigh it. I mean, it felt special when I wrote it, for me personally, merely too equally a songwriter, when yous hit that song where you're similar, "I said exactly what I wanted to say," it'southward e'er such a good feeling.

I recollect, similar you said, people accept continued to it in dealing with low, because I experience similar that'due south kind of how it feels. You take a lot of well-meaning, loving friends around you, trying to practise their best to give you communication. And not that yous don't like information technology, just sometimes it's like, "Thank you, but just having a positive attitude is non gonna make me feel ameliorate right at present!" Not that I call back you should stay in that location, or that information technology's a salubrious place to exist, but sometimes I recall it's necessary to feel what you lot're feeling, and allow yourself to be where you're at, and not try to pull yourself together, or feel meliorate, or exist positive, or smile or…for a infinitesimal, wanting people around you lot to kind of let you do that. And and then I feel like that's kind of how I try to be as a friend. And I retrieve I've wanted to try to become ameliorate at that, and allow myself to learn nearly how to exist a good friend to people.

OTW: And then there's "Love Me Again"–such an intimate song with a dainty build. This is about your fascination of people and relationships. Elaborate more than on this song, is this personal to you?

KT: Yeah, "Love Me Once more" is more nigh the complication of love and relationships, and specifically, being in a committed relationship and hitting that point where yous're you're thinking about the future, and you're similar, "Is this gonna work? Just the unknown of the future, and your relationship, was interesting to me. I wrote it in Nashville, and we came up with the line of the chorus, "Will yous know how to hate me and love me again?," which I think kind of sums upwardly the whole pregnant of the song, yous know? I don't merits to be an expert by whatsoever means, only that's kind of my personal feeling behind that song.

OTW: I enjoyed seeing that residual in the live show, and yous packed The Resident every week. I mean, talk near the response you got!

KT: So much of what I dearest about music, and why I got into the music manufacture in the first identify, was a beloved of performing, and playing shows and being on stage. Then, I've had a lot of time in the studio, writing, figuring out what these songs are going to be, without the payoff of being able to perform them. So, it just felt like this crawly release to only get up there and play the songs and see how the response was, how it felt singing them onstage.

OTW: Crawly! And concluding question: Who are your top Ones To Watch right now?

KT: Oh, gosh. I hateful… we were talking earlier well-nigh Wrabel, I'1000 a large fan of him. I accept been for a while, and he just put out an EP that'due south really good. There's a lot of cool new popular girls coming out. I mean, Dagny merely released a absurd vocal, Sigrid, obviously, my friend Paris releasing her new project, O'Neill Hudson coming soon! She'southward actually talented, and a sugariness friend and person. Gosh, there's then much cool stuff coming out that it'due south hard to keep rail. Julia Michaels too–she'southward only a freaking genius and inspirational songwriter. Yeah, a lot of cool female artists coming out, which is heady.

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Source: https://www.onestowatch.com/blog/qa-katelyn-tarver-talks-transforming-the-world

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